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Dance Education Blog

NDEO's "Dance Education" Blog features articles written by NDEO members about dance and dance education topics as well as periodic updates on NDEO programs and services. This is a FREE resource available to ALL.

Archive by category: Personal NarrativeReturn
By Pascal Rekoert, Assistant Professor and Dance Education Program Director at Central Connecticut State University ~~ As teachers, we spend endless time lesson planning, pondering the needs and joys of our students, and looking into our proverbial crystal ball. This process prioritizes our direct future, but what about the life learnings we implicitly share with our students? What about the distant future, the professional legacy we leave behind? My summer was a period laden with loss and—i...
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By Wendy Masterson, MSME/T, RSDE, MFA ~~ The similarity yet diversity of our experiences with cancer helped us to clarify that our pathways were neither right nor wrong, sometimes based on fear, but always with the potential to deepen intrinsic knowledge of our selves. Our experiences acted as a catalyst in exploring the effects of cancer on people who identify themselves through their ability to move and express themselves through that movement. Cancer diagnosis was only the first step of many ...
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By Ruth Arena, Adjunct Professor at Le Moyne College and Faculty at The Ballet & Dance Center ~~ Dancers strive to listen, respond, explore, and seek deeper understanding of the mysterious connection between the physical and mental/emotional/spiritual self. For most, this connection is porous, constantly fluctuating as self-knowledge increases. My cancer diagnosis presented new learning opportunities and forced me to delineate between body and mind in order to communicate with others: doctors, f...
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By Naima Prevots, Professor Emerita at American University and current Professor in NDEO's Online Professional Development Institute (OPDI) ~~ In 2021, I developed a course for NDEO’s Online Professional Development Program called OPDI 122: “Celebrating Voices of Contemporary Choreographers: Applications to Teaching, Learning, and Appreciation.” In this blog post, I want to share ideas about the last unit in this course, “Voices of Immigrant and Indigenous Artists.” In this two week cou...
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By Caitlin Barfield, Independent Dance Instructor ~~ Let’s talk about teaching philosophies. It has taken me years of training and teaching to come into my own pedagogical style. You must understand that as a young dancer, I was pushed to my limit and then some. While I was training to be a professional dancer, I found myself at the end of my rope time and time again. Overworked, burned out, and beaten down - not to mention the psychological trauma of it all, too...
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by Pascal Rekoert, Assistant Professor and Dance Education Program Director at Central Connecticut State University ~~ If one thinks about teaching and learning in dance education, the realization dawns quickly that, like the art form, dance education is a gendered field. As a nation, the U.S. upholds rigorous and conservative beliefs and values towards gender norms, especially the expectations towards men. While dance has become increasingly accepted for males, especially in progressive regions...
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By Dr. Doug Risner, Professor of Dance, Wayne State University; Ruth Arena, Instructor of Dance, LeMoyne College; Meghan McLyman, Professor of Dance, Salem State University ~~ Sitting on the receiving end of a cancer diagnosis is a place no one wants to be. However, the stark reality is that 40% of adults will hear these shocking words, “You have cancer.” Advances in modern medicine and cancer research have certainly increased survival rates, but the diagnosis and treatments remain challenging...
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By Ashlea Sovetts, choreographer, teacher, administrator, advocate ~~ Throughout this summer I had the opportunity to partake in the Rensing Center’s two-week residency program alongside my collaborator Alexandria Nunweiler in Borseda, Italy. In 2020, we applied to the residency in hopes to develop and refine our creative process used for our premiere work 10 Recalling-20, where we interviewed ten individuals ranging in age from 4-85 about their life experiences and how they coped during an unp...
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By Becca Santone, Teacher at Little Red School House ~~ As we settle in and start making dance class agreements- things we’ll do to keep ourselves safe over the next two weeks- one child’s fears really stuck with me. A first-grade boy was adamant that he did not want to dance. He’d taken dance outside of school, had a bad experience, and was clearly terrified to be in the class...
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By Jennifer O’Neill, Program Director/Faculty at Ace Dance Academy, Master Teaching Artist at Center for Community Arts ~~ Perfection. I used to believe that my need for perfection, in all aspects of life but namely in dance, was a badge I should and could wear with pride. I likened being a perfectionist with validity, ....
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By Anabella Lenzu, Dancer, Choreographer, Writer and Teacher ~~ The period of my greatest creative and technical growth as a dancer came over the course of four years (1995-1999) in my home city of Bahia Blanca, Argentina, where I directed my own school, “L’Atelier” Centro Creativo de Danza. Every morning I would teach...
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Gina Spears, Dance Educator, Portage Park Elementary. Calling my first years of teaching in Chicago Public Schools a baptism by fire is probably an understatement. I had trouble connecting with the middle school students and found them to be disrespectful. My car was broken into three times. One afternoon, an angry parent was waiting by my car with a baseball bat because I sent his son to the office for spitting at me. The littlest dancers loved my class, though, and I had two after school clubs...
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By Megan Taylor Morrison, Editor of Dance Adventures: True Stories ýҕl Dancing Abroad~~In 2018, I began the journey of helping artists from around the world document their stories about the epic experiences they’d had dancing abroad. Now, two and a half years later, these educational, first-person narratives are part of my forthcoming anthology...
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By Maggie McCaig, Student at the University of South Carolina and NDEO Intern Summer 2019 ~~ Junior year of college: a time when most emerging adults are starting to feel the pressure of having an internship or a summer job that will benefit their future careers. That was exactly what was going through my mind during my junior year at the University of South Carolina. I am a lifelong dancer, and am currently studying dance education under Dr. Stephanie Milling, who helped me discover NDEO’s int...
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By Maggie McCaig, NDEO Intern 2019 ~~ As the summer intern for the National Dance Education Organization, I was thrilled to be able to travel to New York City to work and attend the Emerging Pathways within Somatic Movement and Dance Education special topics conference, hosted by NDEO and the International Somatic Movement Education and Therapy Association (ISMETA). I went into the experience with many expectations, and a lot of uncertainty. As my of my internship, I had the opportunity to creat...
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