杨贵妃传媒視頻

by Pascal Rekoert, Assistant Professor and Dance Education Program Director at Central Connecticut State University ~~ Successful educators continually adopt a sense of curiosity in their work environment, ideally adjusting to their community鈥檚 needs and learning attitudes. As teachers, we are leaders who strengthen our community in the microcosm of our learning spaces, guiding individual students toward success. It is imperative to build (or revisit) our teaching philosophy annually. While thi...

by Nadia Ure帽a, NDEO Intern, Fall 2024 ~~ For college applications, merit awards, grants, or even just simple showcases, dancers are often asked to describe their own choreography in writing.Yet where does one begin? How can an entire choreographic process and work be described in a simple paragraph. Additionally, dance makers may feel challenged to condense longer works into simple ideas. As a former undergraduate and graduate student in dance, choreographer, and a teaching assistant of several...

By Shannon Dooling-Cain, NDEO Special Projects ~~ In this post, we will focus on how dance educators can better connect with high school age dance students. We are defining high school age dance students as those approximately age 14-18, in grades 9-12. High school students are navigating the transition to adulthood. As the non-profit EL Education describes, 鈥淎s students transition into and through high school, they are able to make more connections between their actions and the impact of those...

By Shannon Dooling-Cain, NDEO Special Projects ~~ In this post, we will focus on how dance educators can better connect with middle school age dance students. We are defining middle school age dance students as those approximately age 11-13, in grades 6-8. Middle school students face unique challenges, and dance educators in turn have a special opportunity to reach and impact these students through dance - although it isn鈥檛 always easy. According to the Association for Middle Level Education (...

By Zachary Keita, NAfME Advocacy and Public Policy Communications Manager ~~ After years of advocacy from the arts education community, multiple meetings with U.S. Department of Education (ED) officials, and bipartisan support from Congress, arts educators now have long-needed guidance to help them access resources for their programs. On October 2, ED sent a 鈥淒ear Colleague鈥� letter to state education agencies detailing how federal funds can be used to support arts education across the United S...

By Shannon Dooling-Cain, NDEO Special Projects ~~ In this post, we will focus on how dance educators can better connect with elementary school age dance students. We are defining elementary age dance students as those approximately age 5-10, in kindergarten through 5th grade. Many elementary age dance students come to class excited to learn and explore movement, and they tend to be enthusiastic learners. However, their eagerness can at times lead to unruly behaviors or quickly turn to boredom wh...

by Shannon Dooling-Cain, NDEO Special Projects ~~ In this post, we will focus on how dance educators can better connect with preschool school age dance students. We are defining preschool age dance students as those approximately age 3 to 5 years old, who may or may not be enrolled in a formal early childhood education program. Preschool dance classes can be some of the most challenging to teach, and dance teachers may be uncomfortable working with students in this age group for a variety of rea...

By Amanda Karhuse, NAfME Assistant Executive Director for Advocacy and Public Policy ~~ Following the May announcement of a new partnership to amplify the value of arts education through joint advocacy work, the Educational Theatre Association (EdTA), the National Art Education Association (NAEA), the National Association for Media Arts Education (NAMAE), the National Association for Music Education (NAfME), and the National Dance Education Organization (NDEO) co-hosted a webinar during National...

by Helen Buck-Pavlick, Doctoral Student, The Ohio State University ~~ In July, the House Appropriations Committee approved the Labor, Health and Human Services, Education, and Related Agencies 2025 funding bill. The Committee recommended a discretionary funding budget of $67.9 billion for the Department of Education, cutting 13% ($11.1 billion) of the Department of Education budget from fiscal year 2024, returning funding to 2012 levels. If enacted, this bill would reduce or eliminate programs t...

by Shannon Dooling-Cain, NDEO Special Projects ~~ In this blog series, we are exploring ways to help dance educators foster better connections with their students, so that they can teach more effectively and meaningfully. This blog series features insight from NDEO members who responded to a call for submissions, as well as ideas gleaned from resources used in our OPDI courses for dance educators...

by Nisha Pradeep, Bharathanatyam Dancer, Teacher, and Choreographer ~~ The sound of a chollu (sound/syllable) or a sound uttered has a life. It may live for a few seconds to even as small as a millisecond. The skill of a dancer is in embodying that sound fully and wholly within their movement. Every movement sequence (adavu) in Bharathanatyam is associated with a specific sequence of syllables set to rhythmic pattern. The dancer executes each movement sequence in accordance to this rhythmic syll...

by Judith Lynne Hanna PhD, Affiliate Research Professor, University of Maryland ~~ At times during their careers, dancers may want to explain what dance is to family, friends, students, schools, spectators, and the media. After all, knowledge about dance is new and limited compared to the other arts. My journey toward understanding dance began as a child in 1946, and the odyssey hasn鈥檛 stopped. A pediatrician told my parents that ballet would make my feet strong. So I studied ballet. Dancing di...

by Anne Dunkin, DELRdi Coordinator 2004-2024 ~~ For two decades NDEO has provided members with open access to its Dance Education Research and Literature Descriptive Index (DELRdi). However, usage statistics indicate that very few members take advantage of this unique and significant dance education information resource. WHY? To dismiss any misconceptions, and to reinforce DELRdi's usefulness, this blog describes eight scenarios that bridge all dance education constituencies and might easily...

Over the summer, many teachers find themselves reflecting on the past year: what worked, what could have gone better, and how to improve the learning experience for your students next time. If you are looking for a way to enrich your classes and deepen your students鈥� dance learning, consider incorporating somatic movement into your dance classes. Somatic movement is a term for a range of movement practices that 鈥渆nhance human functioning and body-mind integration through movement awareness,鈥� ...

by Yoav Kaddar, NDEO President ~~ The past few years have been tumultuous for dance in higher education. After an impressive shift to new models of teaching and learning dance during the height of the Covid-19 pandemic, many schools now face struggles with decreased enrollment, budget cuts, and shifting institutional priorities impacting dance programs nationwide. These trends within higher education and elsewhere within our field have been happening for a while, notably with Mills College (2021...